Archimedes is a half-hour single-camera comedy set in a deliberately anachronistic Syracuse, Sicily, in 271 BCE — where the problems are ancient but the behavior is embarrassingly familiar. ARCHIMEDES (Archie), sixteen, can see how almost anything works and cannot see why evidence fails to persuade people. His homemade tremor detector says Mount Etna is going to erupt. Syracuse is busy with its SunDial Post Casts.
His fight to save the city starts in the arena's holding cells, where he meets SPARTY, a former marine turned gladiator who needs 1,000 silver to clear his debt. It runs through the palace of Governor Creon — who claims every invention as his own — and into the orbit of AMARATA, Syracuse's top SunDial influencer, and DARIA, the Alexandria-trained engineer Amarata calls her "maid," who has been tracking Etna's warning signs longer than Archimedes has.
Every episode, a real invention becomes a comic solution to an ancient problem — and the ensemble has to make it reliable, useful, and believed. Etna is Season One's clock: five months by Daria's data, six by Archimedes'. Think PLEBS meets The Great meets The Big Bang Theory: physical comedy for the immediate laugh, with character, politics, and scientific attribution rewarding closer attention.
"Give me a place to stand, and I will move the Earth. Finding a place to stand is the hard part."
Can truth improve the world when the people with the power to act benefit from the lie? Archimedes trusts measurement, because nature obeys consistent laws — and assumes people must respond to evidence the same way. Each episode proves his science right and his prediction of human behavior wrong. The invention solves the week's problem; the team — Daria making it reliable, Sparty reading the people, Amarata moving the crowd — has to turn a correct answer into something the city will actually act on.
"People don't run because a number tells them to. People run when everyone else starts running."
Sparty, from the pilot
"Give me a lever long enough and a place to stand, and I could move the earth."
"Sure. And when you're done, everyone's exactly where they started. That's why you need us."
Archimedes and Amarata, from the pilot
Real inventions become comic solutions to ancient problems. Illustrated Inventor Spotlights step outside the story to credit the person who actually invented each device — and the date history gives it. The ancient versions on screen are comic adaptations, not historical reconstructions.
In the pilot:
Concept artwork for the pilot's Inventor Spotlight cards.
Archimedes is contained by design. Commercially available standing sets for this period already exist, so the series requires no period construction. The pilot plays across seven locations, four of them within a single palace — rooftop workshop, arena holding cells, town square, throne room, latrina, dining hall, and terrace — and the same core locations recur every week.
Thirteen speaking parts; no battles, no digital environments. Tremors are practical — rippling wine, a rising flag — and the Inventor Spotlights are graphics, not visual effects.
Written by: Damian Porcari & Gilda Porcari
Format: Half-hour single-camera historical satire
Setting: A deliberately anachronistic Syracuse, Sicily — 271 BCE
Audience: Smart comedy for curious teens and the adults watching with them
Tonal comps: PLEBS · The Great · The Big Bang Theory
Pilot: "The P.O.O.P. Prize" — complete; available on request
Series: In development — series bible and Season One overview available on request
Seeking: Producing and development partners
Interested?
Pilot script, series bible, and Season One overview available on request. Producers and studios: send a production enquiry through the contact form and we'll respond directly.
Request the Pilot